Search results for " Lope de."

showing 10 items of 11 documents

De Montaigne a Lope: distintos resultados de una misma decisión

2009

This essay presents the initial hypothesis of the diversity of cases shown by Lope de Vega’s theatre, that multiply perspectives and different endings from the same basic types of conflicts and designs, and tries to verify them with contemporary thought. This diversity is related with a certain type of discourse that has begun to spread out in the very beginning of the Renaissance and was gradually displacing the pre-eminence of universal principles (neo-platonic, or neoaristotelic and scholastic) for an invitation to casuistic analysis, an ethical modality applied that chose the concrete analysis of the concrete situation in front of the universally required dogmas. A type of discourse tha…

Casos ; Trazas ; Diversidad ; Pascal ; Jesuitas ; Montaigne ; Lope de Vega ; Discurso modernoFrench literature - Italian literature - Spanish literature - Portuguese literatureLiterature and Literary Theorymontaignemedia_common.quotation_subjectmodern discoursediversitytrazasMontaignediversidadLope de VegaDiscurso modernoModality (semiotics)Jesuitaslope de vegacasosmedia_commonLiteratureDiversidadlcsh:French literature - Italian literature - Spanish literature - Portuguese literaturejesuitasWhite (horse)business.industryPhilosophyJesuitsThe Renaissancedesigns:CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica literarias::Análisis literario [UNESCO]TrazasComprehensiondiscurso modernoChosePascallcsh:PQ1-3999CasespascalUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica literarias::Análisis literarioPQ1-3999CasosbusinessDiversity (politics)Revista de literatura
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Duques, princesas y arzobispos: la fecha de redacción de Virtud, pobreza y mujer, de Lope de Vega

2021

En este artículo se aportan las razones oportunas para considerar que la comedia 'Virtud, pobreza y mujer', de Lope de Vega, se escribió a comienzos de 1616, frente a la opinión mayoritaria de la crítica, que hasta ahora se había inclinado por fecharla en un periodo comprendido entre 1612 y 1615. Los indicios a este respecto se encuentran en el segundo acto de la obra: se trata de una serie de referencias a circunstancias concretas, fechables todas ellas en 1616, ligadas a personajes del momento, tales como el arzobispo Pedro González de Mendoza y Silva (1571-1639), la princesa - y futura reina - Isabel de Borbón (1602-1644) y, finalmente, Jorge de Cárdenas y Manrique (ca. 1592-1644), cuart…

French literature - Italian literature - Spanish literature - Portuguese literatureLope de Vega. Virtud pobreza y mujer. Pedro González de Mendoza y Silva. Isabel de Borbón. Jorge de Cárdenas y Manrique (4th Duke of Maqueda) | Lope de Vega. Virtud pobreza y mujer. Pedro González de Mendoza y Silva. Isabel de Borbón. Jorge de Cárdenas y Manrique (cuarto duque de Maqueda).PQ1-3999Literatura castellana 1500-1700 Segle d'OrRassegna Iberistica
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"NO HAY VIRTUD SIN EXPERIENCIA": PRETENDIENTES INESPERADOS Y DAMAS AL ACECHO EN LA TRAGEDIA DEL SIGLO DE ORO // NÃO HÁ VIRTUDE SEM EXPERIÊNCIA: PRETE…

2016

RECEBIDO EM 31 AGO 2016 APROVADO EM 01 OUT 2016 A figura do antagonista e chave em qualquer conflito tragico, dado que representa a oposicao a ordem estabelecida, a personagem que consegue develar o lado obscuro do heroi. Um dos conflitos prediletos da tragedia espanhola do seculo XVII e aquele em que se enfrentam o amor e o honor , o passado e o presente, o dever e o desejo, e pode ser articulado por meio de uma estrutura tipificada: um casamento concertado cuja aparente harmonia ver-se-a irremissivelmente alterada pela chegada inesperada de um antigo pretendente da esposa que reclama direitos sentimentais e cuja atuacao comprometedora, unida aos erros da protagonista, levara o marido - in…

General MedicineTragédia; Século de Ouro; Pretendente; Dama; Calderón de la Barca; Lope de Vega; Agustín Moreto; Tragedia; Siglo de Oro; Pretendiente; Dama; Calderón de la Barca; Lope de Vega; Agustín MoretoAbusões
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"Scrivere a gusti del popolo". L'Arte Nuevo di Lope de Vega nell'Italia del Seicento

2007

The influence of Spanish Theater from the siglo de oro on Italian Seventeenth-century opera is stil an open question. Librettists (for example, G. F. Busenello in his Didone of 1641) speak of "Spanish customs" to claim exemption from Aristotelian rules; furthermore, several music dramas that were well-known thoughout Italy both in print and on stage derive - more or less directly - from Spanish theatrical texts. A particular aspect of the whole question can be seen in the popularity in Italy of Lope de Vega's Arte nuevo de hacer comedias en este tiempo, a discourse on poetic written between 1604 and 1608 for the Academia de Madrid which was published in Madrid in 1609 and only two years lat…

Opera Libretto Drammaturgia musicale G. A. Cicognini Lope de Vega
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Ancora sulla fortuna de La Fuerza lastimosa nell’opera del Seicento: Alfonso I di Matteo Noris (Venezia Napoli Palermo)

2020

Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very popular in Seventeenth-Century Italy, as research by Fausta Antonucci and Salomé Vuelta has demonstrated. Several Italian adaptations are already known, among which a dramma per musica, La forza compassionevole, written by Antonio Salvi and staged in Leghorn in 1694. In the same year, another opera based on Lope’s drama was staged in Venice (as Alfonso I) and in Naples (under the title Alfonso il Sesto re di Castiglia). Two years later, this last version was revived in Palermo, again, as in Naples, to celebrate the birthday of King Charles II of Spain. None of these three librettos indicates …

Opera Libretto Siglo de oro Theater Lope de Vega Matteo NorisSettore L-ART/07 - Musicologia E Storia Della MusicaOpera Libretto Teatro spagnolo Lope de Vega Matteo Noris
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Fama posthuma a la vida y muerte del doctor frey Lope Felix de Vega Carpio y elogios panegiricos a la inmortalidad de sv nombre / escritos por los ma…

1636

Sign.: œ8, œœ4, A-Z8, Aa-Cc8, Dd4 Errates tip. a la fol. Port. orlada Escut xill. del Duc de Sesa a la f. [7

Panegírics S.XVII Obres anteriors a 1800Vega Lope de (1562-1635)
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"There Is No Book, No Matter How Bad It Is, That Does Not Have Something Good in It": The Circulation of the Novels by Sebastiano Erizzo and Niccolò …

2019

This paper provides a first consideration of the dissemination and impact of the novels by Sebastiano Erizzo and Niccolò Granucci in the Spanish Golden Age, focusing on two of their main works, Le sei giornate (1567) and La piacevol notte et lieto giorno (1574), respectively. The characteristics of the identified copies, some coincidences with texts by Lope and Cervantes, and the information collected on the circulation of these two works, whose focus on morality may have favoured their dissemination, lead to the suggestion that their novels had a certain influence on Spanish literature. These circumstances should encourage Hispanists to turn their eyes towards the novels of Niccolò Granucc…

Sebastiano Erizzo; Niccolò Granucci; novelle; «Le sei giornate»; «La piacevol notte et lieto giorno»; Lope de Vega; CervantesLinguistics and LanguageLiterature and Literary Theorymedia_common.quotation_subjectNovellaArtSpanish literatureMoralityHumanitiesLanguage and LinguisticsSpanish Golden Agemedia_commonAnuario Lope de Vega
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Variaciones del drama historial en Lope de Vega

2013

Starting from the presentation of the principles underlying the current research and that link it to previous studies —principles which deal with the concept and features of drama historial (historic drama) in Lope de Vega—, the essay focuses on the distinction of two fundamental modes of drama historial: the commemoration of famous historical events on the one hand, and moral conflict analysis, almost always of private nature and exploding in specific historical circumstances, on the other hand. These two major strategies of significance, the one being characteristic of a collective memory, associated with the identity of the nascent nation, and the other one exploring private identity, th…

SubjectivityLiteratureLinguistics and LanguageLiterature and Literary Theorybusiness.industrymedia_common.quotation_subjectTragedyArtHistorical figureCollective memoryLanguage and LinguisticsInjusticeVariaciones del drama historial; conmemoración de acontecimientos; análisis de conflictos individuales; Lope de Vega; El príncipe perfecto I y II; El Duque de ViseoPerversionIdentity (philosophy)businessVariations of drama historial (historical drama); commemoration of events; analysis of individual conflicts; Lope de Vega; The Perfect Prince I and II; The Duke of Viseomedia_commonDramaAnuario Lope de Vega Texto literatura cultura
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Los Tellos de Meneses by Lope de Vega in the Shaping of the Ideal of the Honourable Peasant

2011

En la primera parte del trabajo se destaca la popularidad de la que gozó la leyenda genealógica sobre la familia de los Tellos de Meneses a través de la recopilación de noticias de representación de obras que se dedicaron a este tema. El artículo se centra después en la bilogía dramática que Lope escribió sobre los orígenes de esta familia: Los Tellos de Meneses y Valor, fortuna y lealtad (segunda parte de Los Tellos de Meneses). Se analizan dos aspectos fundamentalmente: por un lado, el tratamiento que el autor hizo de las fuentes, quizá en un afán por favorecer la imagen de la familia; por otro lado, se analiza el lugar que ocupan estas dos obras de exaltación genealógica en la configurac…

fortuna y lealtaddrama genealógicoFortuna y lealtadHistorical-legendary sourcesLos Tellos de MenesesGenealogical playsValorLiteratura castellana 1500-1700 Segle d'OrIdeal of the honorable peasantFuentes histórico-genealógicasLos Tellos de Meneses; Valor fortuna y lealtad; Lope de Vega; drama genealógico; fuentes histórico-genealógicas; ideal del labrador dignofuentes histórico-genealógicasLiterature (General)Los Tellos de Meneses; Valor fortuna y lealtad; Lope de Vega; genealogical plays; historical- legendary sources; ideal of the honorable peasantIdeal del labrador dignoDrama genealógicoPN1-6790Lope de Vega
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Teatro del Siglo de Oro y ópera italiana del Seiscientos: un balance

2012

In 1992, during the 15th Conference of the International Musicological Society, a round table about «Spanish and French Theater in Italian Opera of the Seventeenth Century» took place in Madrid. It was a seminal moment in the discussion about the influence of Spanish Siglo de Oro Theater on the Italian Opera of the Seventeenth Century. This influence is today beyond question and is being revealed as an important aspect to understand both the success of Venetian Opera and the dissemination of Siglo de Oro Theater outside Spain. This article aims at illustrating and discussing the results of twenty years of scholarly research on the subject; it also suggests new paths of investigation. En 199…

lcsh:French literature - Italian literature - Spanish literature - Portuguese literatureHistoryCALDERÓN DE LA BARCA Pedro. CICOGNINI Giacinto Andrea. Italy and Spain. Libretto. Opera. Theater. VEGA Lope de.Literature and Literary TheoryEspañaCicognini Giacinto AndreateatroVega Lope deóperaItaliaCALDERÓN DE LA BARCA Pedro. CICOGNINI Giacinto Andrea. Italia e Spagna. Libretto. Opera. Teatro. VEGA Lope de.CALDERÓN DE LA BARCA Pedro. CICOGNINI Giacinto Andrea. Italia y España. Libreto. Ópera. Teatro. VEGA Lope de.libretolcsh:PQ1-3999Settore L-ART/07 - Musicologia E Storia Della MusicaCalderón de la Barca PedroCriticón
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